GROOVE Podcast 443 – Lake Mist

For almost a decade, Lake mist is known for imbuing electro and breakbeat with melancholy. The Portuguese DJ, live act and producer has released on renowned labels like Shall Not Fade, Cultivated Electronics or E-Beamz where he combines emotional depth with a sometimes abrasive, dancefloor-centric approach.

In the live performance he recorded for our podcast series, Gonçalo Salgado opts mostly for subtlety, starting with gentle kicks and intricate, winding acid waves. Delving deep into a deep techno rabbit hole, the jam intensifies over the final minutes, showcasing Lake Haze’s talent for heavy breaks.

What did you have in mind when recording this mix?

Since this is a live act, I wanted to create a mix that captured where I’ve been and where I’m heading musically. I’ve been doing quite a bit of live performances recently, which has left me with a lot of new material – experimental ideas and more polished pieces ready to share.

Until recently, I worked exclusively with digital tools, but I have started to introduce analog gear into my studio setup. This was a big change for me and it opened up a whole new world of sonic and creative possibilities. You’ll hear some of those influences in this mix as I experiment with blending analog warmth with digital precision.

I also have two live sets coming up, and I challenged myself to make them completely unique from each other. This mix became a way to test these ideas, explore new directions and connect everything. It’s been a fun and rewarding process, and I’m excited to share it.

Where did you save it and what configuration did you use?

I recorded this act live in my studio with a mix of analog and digital gear, but intentionally kept the setup small to push my creativity. I find that when I have too many options I can get lost, so limiting material helps me focus and experiment more effectively. The drum patterns were constructed using the Roland TR-8S, while the basslines came from the Behringer TD-3, with its acid-inspired sound, and the MS-1, which added a warm vibe and classic.

For melodies and layers, I used the Roland JP-8000, known for its rich pads and iconic Supersaw sound. I also brought the SP-404 for live sampling and effects, which added extra texture and spontaneity to the performance. This setup gave me just enough to be creative without overwhelming me, allowing me to really dive into the process and put everything together live in the moment.

What is the most memorable concert you have played so far?

Perhaps one of the most memorable gigs I played was at Waking Life Festival in Crato, Portugal, my country of origin. It’s hard to choose just one, but this one really stands out. The overall vibe was so different from the usual clubbing scene I’m used to, with its industrial, closed-off atmosphere. The festival took place in the great outdoors, with dust in the air and the warm light of the sunset filling the space. The sound of music mixed with natural elements. The rustling of the trees, the distant hum of the crowd, and the general openness of the place made it feel like a completely different experience.

I played a mix of electro, acid, house and a bit of techno, and it was crazy how the music felt so at home in that setting. There was this almost perfect balance between electronic beats and nature sounds, as if the two complemented each other. The crowd was super receptive and there was this relaxed, positive energy that really made the whole performance effortless.

The line-up was amazing and after my set I spent the rest of the time enjoying the festival and seeing performances from some of my favorite artists. It was one of those concerts where everything lit up: being surrounded by nature, playing music outdoors and being part of such a unique atmosphere. It was a refreshing change from the usual club environment, and it’s definitely something I won’t forget.

Can you name a secret weapon that you use frequently?

For my live performances, my secret weapon is definitely the Roland TR-8S, especially when paired with the Behringer TD-3. The TR-8S offers a wide range of sounds and drum patterns, giving me the flexibility to adjust rhythm and energy in real time. I can modify everything from the kick drum to the hi-hats to adding effects, allowing me to change the mood of the performance as it unfolds. When I use the TD-3, the acidic basslines really come to life and I can manipulate the sound on the fly, creating unexpected tensions and drops. Together, these pieces form a powerful combo that allows me to improvise and create dynamic transitions during the set.

However, when it comes to my vinyl DJ sets, my secret weapon is my Hague record collection. This repertoire is something I always carry with me, no matter where I play. The electronic scene in The Hague had a huge influence on me, and my vinyl collection represents that influence. Each record has its own energy and character, and having these tracks on hand allows me to respond to the audience in the moment. Records give me this deep connection to my roots and I’m able to create a set that is not only engaging but also authentic to my style. Whether I’m in a club or attending a festival, this selection of vinyl is my foundation, allowing me to blend tracks seamlessly and keep the energy flowing.

Three releases that have recently caught your attention?

– otherwiseq 1-5 by Autechre.
– Puppeteer My corpse at Renegade please by Gupi
– The paranormal soul by Legowelt

What do you have coming?

I have some exciting projects in the works that I’m really looking forward to. One of the biggest highlights for me will be my release on Clone recordingswhich has always been a dream of mine. I’ve been a huge fan of the label for years and have always admired their catalog and the incredible artists they have supported. This feels like a big milestone, and it definitely marks 2025 in a special way for me.

Additionally, I have already had the honor of releasing on Cultivated Electronics, a label that I deeply respect. My electro EP Osmosis was released there, and it was a great experience working with Phil, who is not only an extraordinary person but also a true pioneer of the electronic scene. The label has such a rich history and philosophy, and it’s an honor to be a part of it. I have enormous respect for Phil and everything he has done, and I’m excited to continue collaborating with such a legendary label.

Besides that, I’m working on an IDM/experimental/ambient album for Atlantic Thunderwhich excites me a lot. This project will take me in a different direction, mixing atmospheric textures and complex rhythms to create a more introspective and experimental sound. 2025 is shaping up to be a year filled with new music across different genres, and I can’t wait to share everything I’ve been working on with you. It’s going to be a great year!